Was she right, or WAS SHE RIGHT?! Gone Girl published on June 5, 2012, and absolutely exploded. Rebecca is VERY RARELY wrong.
But here's another strand of this story: Book Expo America, the book industry's (now defunct) annual gathering, was held in New York City June 5-7 that year, and I got to go. It was the first time many of the Book Riot contributors got to meet in person. I remember walking into Javits that first time with my press pass for Book Riot, looking around, and thinking, man, this is the life for me. Surround by writers and books. Talking with book people. This. Is. IT!
But so, Gone Girl was the absolute belle of that ball -- both at the BEA conference generally, and for all the Book Riot contributors specifically. The buzz was palpable. Everyone was talking about it.
As soon as I got home from that trip, I bought and read Gone Girl my first free moments. (Here's my full review, and here's one quote from that piece if you don't care to read the whole thing: "When I finished this book it felt like my brain had curled up in a ball, mewling, like a kicked puppy.")
That's my original hardcover copy I'm holding in the photo above. It IS a first edition. Anyone know if that's worth anything? 😅
For the rest of the summer, I couldn't shut up about Gone Girl either. No need explaining here how successful that book went on to be, or how it launched its own cottage industry of copy cat book titles and thrillers with alternating perspectives of unreliable narrators.
Recently, as I began thinking about these books on my shelf that have stood the test of time, I realized how crucial both Gone Girl, and Gone Girl Summer, have been in my life as a reader, writer, and general book nerd. That book and that summer were a turning point for me. Writing for Book Riot, and being surround constantly by book people, was what I knew I wanted to do. The worst advice someone ever gave me was don't do what you love professionally because it'll ruin it. That summer is when I realized how absolutely asinine that idea is.
It took a minute, but now here I am: Working at StoryStudio Chicago, a nonprofit where I'm constantly surrounded by talented writers and amazing books; working as a bookseller at a local indie; and working as a daily editor at the Chicago Review of Books. Life is good, man. Always good to remind yourself of that when it's true. Thank you, Gone Girl Summer.
If you missed the first two parts of Shelf Lives, you can find them here:
Shelf Lives, Vol. 1: Americanah, by Chimamanda Ngozi Adichie
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